“G.I. Joe”, “Blindness”, “Lakeview Terrace”, “Taken” - New Posters
Some new posters for movies have been released.
We’ve got today a brand new poster for the upcoming “Blindness.”
Two new posters for “G.I. Joe” have appeared at Comic-Con (not the best quality).
Take a look also at the official poster for the upcoming Samuel L Jackson thriller “Lakeview Terrace” and international poster for Liam Neeson’s “Taken“.
Check out full FF posters gallery HERE
”Blindness” New Trailer and Character Posters
‘‘Blindness”, adapted from the 1995 novel by Nobel laureate José Saramago, is Fernando Meirelles‘ third film, after his heralded 2002 thriller “City of God” and 2005’s “The Constant Gardener“.”Blindness” movie, an apocalyptic nightmare, urban collapse, opened Cannes Film Festival 2008 and also was in Competition.
Although Saramago’s book was published more then 10 years ago, he declined to sell rights to the book for years. He resisted because it’s a violent book about social degradation and rape. Saramago didn’t want it given the typical Hollywood horror treatment.
Meirelles convinced Saramago only after his producer and screenwriter traveled to the Canary Islands and spent two days with the novelist discussing the potential of a new visual allegory about the fragility of civilization.
In an unnamed city of the near future, a terrifying epidemic of “white blindness”, the sufferers seeing only milky white light, spreads like wildfire.
As the shuffling inmates become used to their blindness, they experience a crisis, being and being perceived: they see no one and no one sees them. Do they exist? Did they exist before? Other inmates, however, see a new equality or democracy in blindness: young and old, ugly and beautiful, all are levelled.
And all the time Julianne Moore, exiled from the community of suffering, must endure a vision of horror from which everyone else is spared. She has characteristically strong performance as a lone figure who retains her eyesight, bearing sad but heroic witness to the horrors around her.
Director: Fernando Meirelles
Writer: Don McKellar
Starring: Julianne Moore, Mark Ruffalo, Gael Garcia Bernal, Danny Glover, Alice Braga, Yusuke Iseya and Yoshino Kimura.
Release: September 19, 2008
watch the trailer after the jump
New Posters: “The Family that Preys Together” and “Blindness”
Today we added some new and interesting posters in our FF gallery: “The Family that Preys Together” and “Blindness“
The Family that Preys Together:
“Wealthy socialite Charlotte Cartwright (Kathy Bates) and her dear friend Alice Pratt (Alfre Woodard), a working class woman of high ideals, have enjoyed a lasting friendship throughout many years. Suddenly, their lives become mired in turmoil as their adult children’s extramarital affairs, unethical business practices and a dark paternity secret threaten to derail family fortunes and unravel the lives of all involved. Alice’s self-centered newlywed daughter Andrea (Sanaa Lathan) is betraying her trusting husband Chris (Rockmond Dunbar) by engaging in a torrid affair with her boss and mothers best friends son William (Cole Hauser). While cheating on his wife Jillian (Kadee Strickland) with a string of ongoing dalliances with his mistress Andrea, William’s true focus is to replace the COO of his mothers lucrative construction corporation. Meanwhile, Alice’s other daughter Pam (Taraji Henson), a kind but no nonsense woman married to a hard working construction worker (Tyler Perry), tries to steer the family in a more positive direction. Read the rest of this entry
‘Blindness’ - Mixed Reviews
”Blindness may well be the bleakest curtain raiser in the history of the festival, a nightmarish parable of the apocalypse, directed by the Brazilian filmmaker Fernando Meirelles and just as impressive in its way as his career-making City of God.”
“Blindness is a drum-tight drama, with superb, hallucinatory images of urban collapse. It has a real coil of horror at its centre, yet lightened with finely judged touches of gentleness and even humour. It reminded me of George A Romero’s Night of the Living Dead, John Wyndham’s Day of the Triffids and Peter Shaffer’s absurdist stage-play Black Comedy, showing humanity groping in the darkness. This is bold and masterly filmmaking from Meirelles: popular entertainment with challenging ideas.” - The Guardian
“Blindness feels like a curious mix of highbrow literary aspirations and lowbrow genre fiction,” “It’d be easy to dismiss Blindness as Dawn of the Dead for NPR listeners or Outbreak for grad students…. But while Blindness can be faulted for many things, it also has to be respected for its ambition, craft, and effort; Blindness shows us a world of wide-eyed sightlessness, and it does so through a fierce vision that only occasionally loses focus.” - Cinematical
Variety finds it “an intermittently harrowing but diluted take on José Saramago’s shattering novel. Despite a characteristically strong performance by Julianne Moore as a lone figure who retains her eyesight, bearing sad but heroic witness to the horrors around her, Fernando Meirelles’ slickly crafted drama rarely achieves the visceral force, tragic scope and human resonance of Saramago’s prose.”
‘Blindness’ Premiere - Cannes Film Festival
The Cannes film festival opens tonight with ‘Blindness‘, an apocalyptic nightmare adapted from the 1995 novel by Nobel laureate José Saramago and directed by Fernando Meirelles. The film is superbly photographed by Cesar Charlone.
In an unnamed city of the near future, a terrifying epidemic of “white blindness” - the sufferers seeing only milky white light - spreads like wildfire. The infection’s ground zero is a Japanese businessman (Yusuke Iseya) who staggers sightlessly from his luxury automobile which is promptly stolen by an opportunist thief who also goes blind.
The man finds himself in the offices of an eye doctor (Mark Ruffalo) who is also treating a high-class prostitute (Alice Braga) in the business of servicing clients in a hotel, with the help of a discreet barman (Gael García Bernal). All go blind and from this nexus, the disease spreads.
The city of the blind opens its inhabitants’ eyes to their former civilisation’s brutality and indifference. What is fascinating to see is how the blind prisoners are admitted to the quarantine camp in the order in which they made fleeting contact in the preceding narrative: a pharmacy clerk, a cop, a hotel maid, all connected via the fleeting and heedless contact of the modern, uncaring city, and now joined in a chain of terrible significance.
As the shuffling inmates become used to their blindness, they experience a crisis, being and being perceived: they see no one and no one sees them. Do they exist? Did they exist before? Other inmates, however, see a new equality or democracy in blindness: young and old, ugly and beautiful, all are levelled.
And all the time Julianne Moore, exiled from the community of suffering, must endure a vision of horror from which everyone else is spared.
‘Blindness’ starring Julianne Moore, Mark Ruffalo, Danny Glover, Gael Garcia Bernal, Yusuke Iseya, Yoshino Kimura and Alice Braga.
More photos at FF Cannes Film Festival gallery HERE
Watch the third clip from ‘Blindness’ after jump Read the rest of this entry
‘Blindness’ - New Clip
‘Blindness’ is Fernando Meirelles’ third film, after his heralded 2002 thriller “City of God” and 2005’s “The Constant Gardener,” landed the coveted opening night slot at the 61st Cannes Film Festival starting Wednesday.
‘Blindness’ Clip
‘Blindness,’ based on the bestselling 1998 novel by Nobel Prize-winning Portuguese writer José Saramago is an allegory about the fragile state of civil society and the human spirit.
“Blindness” is narrated by Danny Glover, a late addition to the film, Fernando Meirelles said, because the director wanted to weave Saramago’s actual prose and reflections into the action, adapted from the novel to the screen by screenwriter Don McKellar.
Although Saramago’s book was published 10 years ago, it was not for lack of trying that the film adaptation took so long to wend its way to the screen.
By his own account, Saramago declined to sell rights to the book for years, turning away a host of suitors, including the Weinsteins, Whoopi Goldberg and actor García Bernal, who ended up co-starring in the film.
The author has said at various times that he resisted because it’s a violent book about social degradation and rape, and he didn’t want it given the typical Hollywood horror treatment. Read the rest of this entry
