David Cronenberg Might Be Done—But ‘The Shrouds’ Feels Like a Beginning
He says the world doesn’t need his next film. But The Shrouds…
Why ‘Silent Night, Deadly Night’ Is the Holiday Reboot No One Saw Coming
Santa’s back—and bloodier than ever. The cult classic that once got pulled…
Love’s Trailer Dives Into the Messy, Honest Truth About Modern Relationships
The new US trailer for Love—part of Dag Johan Haugerud’s Oslo Trilogy—asks…
Superman Reboot’s BTS Video Isn’t Just Hype—It’s a Statement
James Gunn’s new Superman isn’t just flexing muscles—it’s flexing morals. But beneath…
David Mamet’s ‘Henry Johnson’ Trailer Is a Prison Drama Wrapped in a Moral Puzzle
The new trailer for Henry Johnson is all grit and gray morality—but…
‘Havoc’ Hits Hard—But Netflix’s Streaming-Only Drop Is a Crime
“Havoc” Isn’t Just a Movie—It’s a Roundhouse Kick to Netflix’s Streaming Strategy…
The Travel Companion Exposes the Price of Friendship—And Free Flights
It looks like a buddy comedy—but beneath the laughs, The Travel Companion…
Why ‘Sinners’ Might Save Warner Bros.—But Not the Way You Think
Ryan Coogler's 'Sinners' is poised to break box office norms with its…
Christopher Nolan’s Lost Horror Short ‘Tarantella’ Creeps Back Online—But For How Long?
Before the Batmobile or brain-bending timelines, Nolan made nightmares. Now his eerie…
Invisible Woman, Visible First: MCU Breaks Ground with On-Screen Pregnancy
Vanessa Kirby’s Invisible Woman isn’t just fighting Galactus—she’s making Marvel history. But…