Gunn’s ‘Killed Them’ Remark Isn’t About Endgame—It’s a Troubleshooting Guide
James Gunn rehats his comment about Marvel overload—and explains why script‑first Superman on July 11 could reshape superhero storytelling.
Children of Dune: Villeneuve’s Ambition, or Hubris?
Denis Villeneuve’s “Dune: Messiah” just aged up the Atreides twins and cast Jason Momoa’s son—catapulting the sequel into “Children of…
A Punk‑Rock Portrait of Postpartum: Why Die, My Love Demands November’s Attention
Jennifer Lawrence’s electrifying Cannes turn turns motherhood into madness—Lynne Ramsay’s hardest, most urgent film yet.
Sony’s “RageLeaks” Isn’t Marketing—it’s a Zombie Manifesto
Sony’s stealthy RageLeaks site isn’t fluff—it’s world‑building: mutated virus, quarantine maps, internal memos. This isn’t just horror marketing—it’s a manifesto…
Supergirl Sheds Her Subtitle: The Bold Reinvention Nobody Asked For
The last time someone asked me about Supergirl, I changed the subject. Not because she’s irrelevant—far from it—but because, if…
Brad Pitt Is Down to Re-Team with Tom Cruise—Just Keep Him on Solid Ground
Brad Pitt says he’d love to work with Tom Cruise again—but only if the co‑star opts out of airborne death‑defying…
Natasha Lyonne Channels Joan Rivers’ Fierce Edge in Can We Talk?
Natasha Lyonne tackles the raw, chaotic spirit of Joan Rivers in Can We Talk?, aiming to unlock the comedian’s unfiltered…
When “Nah” Means Never: Will Smith’s Curious Talent for Dodging Greatness
Will Smith passed on “Inception”—and it wasn’t the first time. Inside the mind-bending career choices that haunt Hollywood’s go-to “nah”…
Pixar’s “Gatto” Could Be the Hand‑Painted Reboot Its Soul Needs
Pixar’s first-ever hand‑painted feature, Gatto, set for Summer 2027, might just be the artistic shakeup the studio needs after a decade-long…
Matthew McConaughey, Mike Hammer & the Pulp Dream of Nic Pizzolatto
They changed TV once with True Detective—now Pizzolatto and McConaughey are eyeing a hardboiled comeback. Can they turn noir nostalgia…
