The Production Moves, Fast—Almost Too Fast
There’s a strange nervous energy in the air—someone tweets a photo of Zendaya, windswept on a gray Budapest street, rolling her suitcase past a bewildered bellhop. She’s here. It’s happening.
Denis Villeneuve isn’t merely speeding up the “Dune: Messiah” production schedule; he’s bulldozing through it. Principle photography? Monday, July 7. In Budapest. The cast—Timothée Chalamet already lurking in the city’s shadowy cafes, Florence Pugh’s shoes (surely custom) hitting the cobblestones, Jason Momoa blending in everywhere and nowhere at once, Anya Taylor-Joy—yes, finally, she’s in. And Bardem. And two new faces: Nakoa-Wolf Momoa and Ida Brooke, cast as Leto II and Ghanima.
Warner Bros. is chasing that December 18, 2026, release date like it’s the last golden ticket out of 2020s sequel fatigue. They might just make it if Villeneuve keeps his foot this firmly on the gas. Or is it sand?
The Big Question: Faithful Adaptation, or Something Wilder?
Here’s the problem, and fans know it—Messiah isn’t crowd-pleasing. Frank Herbert’s second book is a fever dream of political and spiritual come-down, not spectacle. Paul Atreides ascends to god-emperor—and then, depending on who you ask, loses his soul. The sandworms barely get screen time compared to Paul’s existential crisis.
So what is Villeneuve planning? Sources say “extensive, multi-location, multi-month shoot.” Translation: he’s going big, but maybe also going off-book. The casting of the Atreides twins, Leto II and Ghanima, so soon after their “birth” at the end of Messiah all but confirms a dramatic time jump. He’s not just making Messiah. He’s seeing the trilogy home, maybe dragging us halfway into Children of Dune before we’re ready.
A Different Kind of Desert—Behind the Lens
Fresh chaos: Greig Fraser is not returning. Instead, Linus Sandgren, of “La La Land” fame, is stepping behind the camera. Does that mean we’re swapping sparse deserts for musical color? Maybe not, but it’s a shakeup. Fans are nervous, cinephiles are—let’s be honest—intrigued. Change is risky, but if Villeneuve’s as controlling as he seems, maybe it’ll be an evolution, not a rupture. Hans Zimmer’s sticking around, at least, so the soundtrack will slay.
Exhaustion, Excitement, Expectation
It’s all out there on the sand now: a director in a hurry, a cast list that reads like a fever dream, a story nobody quite knows how to film. Will Denis Villeneuve manage to turn Herbert’s somber meditation on power and faith into something new—without alienating the blockbuster crowd? Or will “Dune: Messiah” become the slow-burning desert mirage only the patient will reach?
I’m rooting for chaos. For something weird, slow, too dense, haunting. For once, let’s have the blockbuster that shrugs off neat resolutions—leave us half-dazed, chewing sand, desperate for the next impossible sequel.
Production starts July 7, 2025. All eyes on Budapest.
