Taylor Swift’s Auteur Ambitions: A Script Polish in the Shadows?
Whispers of Alice Birch polishing Taylor Swift’s directorial debut script have ignited debate, with Jeff Sneider standing firm against denials—questioning…
First Look at Jacob Elordi’s Monster in Guillermo del Toro’s ‘Frankenstein’ Reveals Gothic Brutality and Backstage Shakeup
Here’s your first look at Jacob Elordi in Guillermo del Toro’s Frankenstein, a Gothic horror epic set to premiere this…
Venice 2024 and the Epidemic of the 140-Minute Movie
Park Chan-wook's No Other Choice joins the long list of overlong entries at Venice 2024, fueling concerns about the festival’s…
Venice 2025: The Competition Is No Country for Lightweights
With its 82nd edition around the corner, the Venice Film Festival unveils a heavyweight competition slate—one that leans less on…
Venice 2025: Auteurs, Streamers & a November Frankenstein
Venice’s 82nd edition (Aug 27–Sep 6, 2025) packs auteur powerhouses—del Toro’s Frankenstein, Park’s No Other Choice, Lanthimos and more—marking a bold festival shift…
Guillermo del Toro’s Frankenstein Gets R Rating for Bloody Violence
Guillermo del Toro's Frankenstein has been rated R for "bloody violence and grisly images," signaling a darker, more visceral adaptation…
Guillermo del Toro’s Frankenstein Teaser Is Gothic, Deranged, and Absolutely Gorgeous
Oscar Isaac brings Victor Frankenstein to brooding life in Guillermo del Toro’s haunting first teaser. But the real monster? Netflix’s…
Del Toro’s ‘Frankenstein’ Trailer Drops Saturday—And It’s Already a Monstrous Obsession
Guillermo del Toro’s lifelong obsession with Frankenstein culminates in a Netflix trailer debut this weekend—and his cast might just redefine…
Guillermo del Toro’s Frankenstein Isn’t Horror—It’s a Fatherhood Gut-Punch
Guillermo del Toro’s Frankenstein ditches the scares for something far riskier: sincerity. Here’s why this might be his boldest film…
Guillermo del Toro’s ‘Frankenstein’ May Get IMAX Run—Here’s Why That Matters
Netflix’s Frankenstein might break the streaming mold—by hitting IMAX first. Is this the future of hybrid releases?
