Scarlett Johansson just locked eyes with a T-rex on a Jurassic World Rebirth poster—and the internet is losing its damn mind. Universal Pictures dropped these exhibitor-exclusive posters like a meteor, and theaters are already scrambling to keep up with the hype.
These aren’t just posters—they’re a battle cry. The Dolby Cinema one slaps with a fiery red backdrop, Johansson’s Zora Bennett clutching a rifle while mutant dinosaurs loom like a deranged fever dream. ScreenX? It’s a pteranodon staring down Johansson on a cliff, waterfalls cascading like nature’s own death trap. RealD 3D throws an astronaut into the mix—random, chaotic, and I’m here for it. 4DX has a Mosasaurus lunging at a boat, water splashing everywhere, practically begging you to feel the spray. No IMAX, though—F1: The Movie, Superman, and The Fantastic Four: First Steps are hogging those screens in July. Tough break.
This isn’t just marketing—it’s a primal scream to reclaim Jurassic Park’s roots. Director Gareth Edwards, the guy who gave us Rogue One and Godzilla, is steering this ship back to the dinosaurs’ turf. David Koepp, the screenwriter behind the OG Jurassic Park, said it best: “We wanted to recapture the idea that we are in the dinosaurs’ environment.” Johansson herself chimed in, promising “jump-scares” and “high stakes.” Her co-star Jonathan Bailey added fuel to the fire: “It has that wonder and awe, while not being scared to re-inject the thrill and the fear.” This isn’t Jurassic World: Dominion’s sprawling mess—it’s a focused, island-bound thrill ride. Think Jurassic Park meets Alien, but with better CGI and a bigger budget.
Dig deeper, and the posters tell a story of their own. That international one-sheet with Johansson and the T-rex? It’s a nod to the franchise’s 1993 origins—when dinosaurs ruled, and humans were just snacks. A source close to the production whispered, “Gareth spent hours studying T-rex movements to nail that poster’s intensity.” Obsessive? Yes. Effective? Hell yes. These posters aren’t just art—they’re a history lesson in what made Jurassic Park a cultural juggernaut. The franchise has grossed over $6 billion worldwide since 1993, according to Box Office Mojo, and Rebirth is betting big on nostalgia to keep that streak alive.
But let’s talk teh elephant in the room—or rather, the dino. The posters are a masterclass in tension, but they’re also a gamble. Universal’s banking on fans wanting to feel that primal fear again, not just watch dinosaurs stomp through cities like the last trilogy. Will it pay off? Early buzz says yes—Variety reported ticket sales for Rebirth are already outpacing Dominion’s pre-release numbers. But if Edwards leans too hard into nostalgia, this could just be a prettier retread of the original. Genius—or lazy? You decide.
Love these posters or hate ‘em, they’re doing their job. Fight me in the comments: Are you hyped for Rebirth, or is this franchise extinct?
