“Harold & Kumar 4”: Stoners, Nostalgia, and a Slice of American Absurdity
The first time I watched Harold and Kumar slide into that greasy White Castle booth, blissful and stoned, I remember…
When Lightning Strikes Twice? Tom Cruise Revs Up Days of Thunder 2
Tom Cruise and Jeff Gordon are officially racing toward Days of Thunder 2. Here’s what’s real—and what’s still in development.
Carla Gugino Boards Fincher’s Dark Spin‑Off of Once Upon a Time in Hollywood
Carla Gugino joins Brad Pitt in David Fincher’s Netflix‑backed spin‑off of Cliff Booth, marking a dark turn into post‑’69 Hollywood.
Kathleen Kennedy’s Last Power Play: An Honorary Oscar for Bob Iger?
Is Kathleen Kennedy honoring a legacy — or securing her own exit plan? Her behind-the-scenes campaign for Bob Iger's honorary…
Top Gun 3: Kosinski and Cruise Chase the Impossible—With a Little Help From Lockheed and the Navy
Joseph Kosinski says Top Gun 3’s story is “too ambitious to ignore”—with input from Lockheed and help from the Navy.…
Gunn’s ‘Killed Them’ Remark Isn’t About Endgame—It’s a Troubleshooting Guide
James Gunn rehats his comment about Marvel overload—and explains why script‑first Superman on July 11 could reshape superhero storytelling.
Children of Dune: Villeneuve’s Ambition, or Hubris?
Denis Villeneuve’s “Dune: Messiah” just aged up the Atreides twins and cast Jason Momoa’s son—catapulting the sequel into “Children of…
A Punk‑Rock Portrait of Postpartum: Why Die, My Love Demands November’s Attention
Jennifer Lawrence’s electrifying Cannes turn turns motherhood into madness—Lynne Ramsay’s hardest, most urgent film yet.
Sony’s “RageLeaks” Isn’t Marketing—it’s a Zombie Manifesto
Sony’s stealthy RageLeaks site isn’t fluff—it’s world‑building: mutated virus, quarantine maps, internal memos. This isn’t just horror marketing—it’s a manifesto…
Supergirl Sheds Her Subtitle: The Bold Reinvention Nobody Asked For
The last time someone asked me about Supergirl, I changed the subject. Not because she’s irrelevant—far from it—but because, if…
