Brad Pitt Is Down to Re-Team with Tom Cruise—Just Keep Him on Solid Ground
Brad Pitt says he’d love to work with Tom Cruise again—but only if the co‑star opts out of airborne death‑defying…
Natasha Lyonne Channels Joan Rivers’ Fierce Edge in Can We Talk?
Natasha Lyonne tackles the raw, chaotic spirit of Joan Rivers in Can We Talk?, aiming to unlock the comedian’s unfiltered…
When “Nah” Means Never: Will Smith’s Curious Talent for Dodging Greatness
Will Smith passed on “Inception”—and it wasn’t the first time. Inside the mind-bending career choices that haunt Hollywood’s go-to “nah”…
Pixar’s “Gatto” Could Be the Hand‑Painted Reboot Its Soul Needs
Pixar’s first-ever hand‑painted feature, Gatto, set for Summer 2027, might just be the artistic shakeup the studio needs after a decade-long…
Matthew McConaughey, Mike Hammer & the Pulp Dream of Nic Pizzolatto
They changed TV once with True Detective—now Pizzolatto and McConaughey are eyeing a hardboiled comeback. Can they turn noir nostalgia…
Dwayne Johnson Drops the Tough Guy: Inside Aronofsky’s ‘Breakthrough’ and the Actor’s Wild Pivot
The Rock’s latest move? Playing a supporting role in Darren Aronofsky’s A24 thriller “Breakthrough”—leaving the CGI behind and embracing something…
Materialists Hits $12M: Celine Song’s Second Act Stumbles—Or Does It?
Materialists landed a $12M opening, but critics and fans are split: is Celine Song a rising auteur, or facing the…
James Gunn’s 3D Superman Is a Nostalgia Trip No One Asked For
James Gunn wants you to see “Superman” in 3D—just like it’s 2010 all over again. Here’s why that pitch lands…
“Spaceballs 2” Is Finally Real—But What’s Left to Parody in 2027?
Mel Brooks is back. The Schwartz is waking up. And nearly 40 years later, “Spaceballs 2” is happening—thanks to Josh…
Brad Pitt Took the Wheel—Not Tarantino—in Netflix’s $20M ‘Cliff Booth’ Bet
Tarantino wrote it. Fincher’s directing. Pitt pulled the strings. Netflix shelled out $20M for “The Adventures of Cliff Booth”—but this…