“Osiris” and the Relentless Hunger of Sci-Fi’s New Predators
A team of elite soldiers wakes up on an alien ship—only to…
A Punk‑Rock Portrait of Postpartum: Why Die, My Love Demands November’s Attention
Jennifer Lawrence’s electrifying Cannes turn turns motherhood into madness—Lynne Ramsay’s hardest, most…
Sony’s “RageLeaks” Isn’t Marketing—it’s a Zombie Manifesto
Sony’s stealthy RageLeaks site isn’t fluff—it’s world‑building: mutated virus, quarantine maps, internal…
Supergirl Sheds Her Subtitle: The Bold Reinvention Nobody Asked For
The last time someone asked me about Supergirl, I changed the subject.…
“London Calling” Trailer Hits With Hitman-Babysitter Twist—Is Josh Duhamel’s Next Action Leap Worth It?
Josh Duhamel swaps rom-coms for bullets and baby bottles in London Calling,…
Eric Bana Hunts Dark Secrets in Netflix’s ‘Untamed’—A Wild, Murderous Return to Form
"People come here to explore... things happen different out here." Netflix’s Untamed…
Liam Neeson Goes Full Deadpan: “The Naked Gun” Reboot Just Might Save Studio Comedy—Or Prove It’s Past Saving
The “Naked Gun” reboot, starring Liam Neeson and helmed by Akiva Schaffer,…
“Fantastic Four: First Steps” Flashes Retro-Sci-Fi Swagger in New Stillsets
Mark your cosmic calendars—Marvel just dropped new stills of Silver Surfer, Human…
Brad Pitt Is Down to Re-Team with Tom Cruise—Just Keep Him on Solid Ground
Brad Pitt says he’d love to work with Tom Cruise again—but only…
Natasha Lyonne Channels Joan Rivers’ Fierce Edge in Can We Talk?
Natasha Lyonne tackles the raw, chaotic spirit of Joan Rivers in Can…
