In the world of cinema, first impressions aren't always definitive, and few films illustrate this better than Ridley Scott's “The Counselor.” Upon its release on October 25, 2013, the film was notorious for its harsh critical reception and underwhelming box office returns. Despite an impressive cast featuring Michael Fassbender, Penélope Cruz, Brad Pitt, Cameron Diaz, and Javier Bardem, the screenplay penned by celebrated novelist Cormac McCarthy was widely deemed a misstep.
Pedro Almodóvar, a revered figure in the film industry, notably criticized the screenplay, calling it “really weak” . His perspective highlights a crucial distinction between novel writing and screenwriting, underlining how not all literary giants translate seamlessly to the script.
However, as with many works of art, time has allowed “The Counselor” to find its audience. Directors like Guillermo del Toro have praised it, describing the film as “brilliant” and “underappreciated” on a “molecular level” . Critics such as Glenn Kenny and Manohla Dargis have also defended its merits, and recent discussions include suggestions to induct it into a “New Cult Canon”.
What distinguishes “The Counselor” is its audacious narrative and philosophical depth—a narrative punctuated by McCarthy's trademark existential dialogue. The plot revolves around a lawyer embroiled in a disastrous drug deal, setting off a chain reaction of violence and existential turmoil.
Despite its infamous car scene with Cameron Diaz and graphic violence, the film's moral undertones and reflections on fate offer a poignant, if stark, portrayal of the human condition. Critics who appreciate McCarthy's work see these elements as strengths rather than weaknesses.
For those who initially dismissed “The Counselor” or never experienced it, now might be the perfect time to reassess it. With its stellar cast and the intellectual challenge it poses, the film continues to beckon audiences willing to engage with its complex narrative tapestry. Whether regarded as genius or folly, “The Counselor” is indeed a film that compels more than just a passing glance.
