Natasha Lyonne Channels Joan Rivers’ Fierce Edge in Can We Talk?
Natasha Lyonne tackles the raw, chaotic spirit of Joan Rivers in Can…
When “Nah” Means Never: Will Smith’s Curious Talent for Dodging Greatness
Will Smith passed on “Inception”—and it wasn’t the first time. Inside the…
Pixar’s “Gatto” Could Be the Hand‑Painted Reboot Its Soul Needs
Pixar’s first-ever hand‑painted feature, Gatto, set for Summer 2027, might just be the…
Dragon Fire Beats Ohana: Why How To Train Your Dragon Just Torched Disney’s Lilo & Stitch at the Box Office
Lilo & Stitch had the nostalgia, but How To Train Your Dragon…
Long Shadows: A Western Torn Between Vengeance and Redemption—But Does It Rise Above the Genre’s Clichés?
The trailer for Long Shadows promises revenge, redemption, and a fractured psyche—but…
The Ghost in the Grief: Went Up the Hill Trailer Unearths Intimate Hauntings
The debut trailer for Went Up the Hill—Greenwich Entertainment’s haunting new ghost…
Matthew McConaughey, Mike Hammer & the Pulp Dream of Nic Pizzolatto
They changed TV once with True Detective—now Pizzolatto and McConaughey are eyeing…
Jesse Williams Checks In, but Nobody Checks Out: Prime’s ‘Hotel Costiera’ Sinks Its Teeth into Paradise
Jesse Williams goes from Marine to Mediterranean “fixer” in Prime Video’s ‘Hotel…
Materialists Hits $12M: Celine Song’s Second Act Stumbles—Or Does It?
Materialists landed a $12M opening, but critics and fans are split: is…
James Gunn’s 3D Superman Is a Nostalgia Trip No One Asked For
James Gunn wants you to see “Superman” in 3D—just like it’s 2010…