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Reading: Derek Cianfrance’s ‘Roofman’—A Surreal Crime Odyssey Anchored by Channing Tatum’s Stranger-Than-Truth Heist King
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FilmoFilia > Movie Photos > Derek Cianfrance’s ‘Roofman’—A Surreal Crime Odyssey Anchored by Channing Tatum’s Stranger-Than-Truth Heist King
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Derek Cianfrance’s ‘Roofman’—A Surreal Crime Odyssey Anchored by Channing Tatum’s Stranger-Than-Truth Heist King

After nearly a decade away, Derek Cianfrance returns with Roofman—a bizarre, true-crime tale starring Channing Tatum as a fast-food bandit who lived inside a Toys “R” Us. Why it’s his wildest swing yet.

Allan Ford
June 24, 2025
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Roofman

The Comeback No One Saw Coming

Eight years. That’s how long it’s been since Derek Cianfrance, the poet of bruised hearts (Blue Valentine) and sprawling American tragedies (The Place Beyond the Pines), last gave us a film. His return? A movie about a guy who robbed McDonald’s and then moved into a Toys “R” Us.

Contents
  • The Comeback No One Saw Coming
  • Why This Story? Why Now?
  • Festival Chess Moves & Awards Buzz
  • The Big Question: Can Cianfrance Pull It Off?

If that sounds unhinged, well—it is. But in Cianfrance’s hands, even the absurd becomes achingly human. Roofman, starring Channing Tatum as Jeffrey Manchester, the real-life “Bike Bandit” who pulled off 40-60 fast-food heists before squatting in a toy store for months, isn’t the gritty romance we expected. It’s something weirder, darker, and somehow perfect for a director obsessed with outsiders.

Why This Story? Why Now?

Cianfrance didn’t just stumble into this. He bailed on Universal’s Wolfman—a studio gig with A-list pressure—to make Roofman, a script so niche it’s either genius or career sabotage. But look closer: Manchester’s story is pure Cianfrance. A military vet turned thief, surviving on baby food and riding a bike through empty aisles? That’s not just crime—it’s loneliness etched in neon.

And the casting? Tatum, fresh off Magic Mike’s Last Dance, trades sweat for desperation. Kirsten Dunst (always Cianfrance’s secret weapon) and Peter Dinklage round out a trio that screams “indie prestige.” The first-look images (courtesy of EW) show Tatum gaunt, haunted—a far cry from the charming hustlers he’s known for.

Festival Chess Moves & Awards Buzz

Miramax has already planted Roofman in prime Oscar soil: October 3, 2025, the heart of awards season. But first, the festivals. Cianfrance isn’t a Venice regular, but The Place Beyond the Pines premiered there in 2012. Telluride loves a comeback story. TIFF is a lock. Wherever it lands, expect polarizing reactions—this isn’t Blue Valentine 2.

The Big Question: Can Cianfrance Pull It Off?

Let’s be real: A Toys “R” Us squatting spree doesn’t scream “Oscar bait.” But Cianfrance has always thrived on risk. Blue Valentine was raw to the point of discomfort. Pines sprawled like a modern Godfather. If Roofman works, it’ll be because he found the tragedy in the ridiculous—the man who robbed burgers but craved a home.

Or it’ll be a glorious mess. Either way, after eight years, we’re just glad he’s back.

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TAGGED:Channing TatumDerek CianfranceKirsten DunstPeter DinklageRoofman
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