The John Wick universe has always excelled at building intrigue through its complex web of relationships, and the upcoming “Ballerina” appears to be no exception. Ian McShane's recent revelations at CCXP about his character Winston's connection to Ana de Armas's assassin-ballerina adds another fascinating layer to this expanding narrative tapestry.
What's particularly intriguing is McShane's careful choice of words when describing Winston's relationship with our new protagonist. By dubbing her “Baby Yaga” – a clear parallel to John Wick's “Baba Yaga” moniker – McShane suggests a spiritual succession that goes beyond mere professional association. There's something almost paternal in Winston's described watchfulness over her journey from the ballet academy under Anjelica Huston's tutelage to her current path of vengeance.
The timing of this story – set between “John Wick: Chapter 3 – Parabellum” and “Chapter 4” – is particularly significant. It's a period when the High Table's power structure was in flux, and Winston's own loyalty was under scrutiny. That he maintained surveillance on a promising young assassin during this tumultuous time speaks volumes about his long-term strategic thinking.
Director Len Wiseman, known for his stylish action in the “Underworld” franchise, inherits the considerable task of maintaining the John Wick universe's distinctive aesthetic while carving out its own identity. The casting of veteran actors like Gabriel Byrne and the late Lance Reddick (in what will be one of his final performances) suggests a commitment to maintaining the franchise's gravitas.
What's most compelling about McShane's revelations is what he doesn't say. His admission that Winston's true nature remains enigmatic even at the film's conclusion suggests that “Ballerina” will preserve the delicious ambiguity that makes his character so fascinating. The dynamic between a young assassin who ignores warnings from a mentor who knows her secrets sets up a classical tragedy structure that could elevate this beyond typical action fare.
Personal Impression: The John Wick franchise has consistently surprised audiences by finding fresh angles on its established mythology. This mentor-mentee relationship, complicated by secrets and warnings unheeded, suggests “Ballerina” might offer something deeper than mere franchise expansion. The parallel between classical ballet's discipline and the assassin's craft is a particularly promising thematic vein to explore.
How do you think the “Baby Yaga” moniker will influence Ana de Armas's character development? Will she embrace this legacy, or fight against being defined by her relationship to the John Wick mythology?
