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Reading: Why Alien: Romulus Shouldn’t Have Received a Best Visual Effects Nomination
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FilmoFilia > OSCAR Awards > Why Alien: Romulus Shouldn’t Have Received a Best Visual Effects Nomination
OSCAR Awards

Why Alien: Romulus Shouldn’t Have Received a Best Visual Effects Nomination

While Alien: Romulus delivers an intriguing mix of practical and digital effects, its controversial use of A.I. and uneven visual execution raises questions about its Best Visual Effects Oscar nomination.

Liam Sterling
January 23, 2025
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Alien Romulus

During Oscars, people celebrate and honor achievements yet public debate happens regularly. This year is no exception, with “Alien: “Romulus” earned Visual Effects nomination through their production work. Most fans and critics doubt whether the movie qualifies for its nomination status. The Academy Academy failed to recognize more eligible titles for their awards.

Contents
  • Setting the Scene:
  • The Rook Controversy:
  • What Makes Great Visual Effects?
  • Better Contenders for the Nomination:

Setting the Scene:

Directed by Fede Álvarez, Alien: Romulus finds its place between Ridley Scott's groundbreaking Alien and James Cameron's action-packed sequel, Aliens. Álvarez's film pays homage to Scott's original aesthetic, leaning heavily on atmospheric tension and practical effects. It creates a gritty, lived-in universe that evokes nostalgia for the 1979 classic. However, one creative choice has sparked widespread criticism: the use of A.I.-driven visual effects to recreate the late Ian Holm as an antagonistic android named Rook.

The Rook Controversy:

Holm's resurrection via digital effects is central to the debate. While the attempt to honor the actor's legacy might seem well-intentioned, the result is an uncanny and distracting performance. Rook's movements and facial expressions fail to synchronize convincingly, pulling viewers out of the story. Álvarez compounded the issue by blending animatronics with CGI, a combination that fell short despite efforts to refine it in the film's digital release.

Legacy Effects, which produced a practical animatronic version of Rook, demonstrated a more compelling alternative that Álvarez could have fully embraced. Instead, the hybrid approach diminished the overall impact, making the visual effects a divisive element rather than a seamless enhancement.

What Makes Great Visual Effects?

Great visual effects are not merely about spectacle; they serve the narrative and immerse the audience. Films like The Substance, which masterfully combines practical and digital effects, or Alex Garland's Civil War, where subtle VFX elevate the storytelling, embody this principle. By comparison, Alien: Romulus feels like a missed opportunity.

Better Contenders for the Nomination:

This year saw several outstanding achievements in visual effects that outshine Romulus. Dune: Part Two delivered breathtaking, otherworldly visuals grounded in meticulous realism. Furiosa, while not reaching the heights of Mad Max: Fury Road, presented a visually stunning post-apocalyptic saga. Even The Substance and Civil War, with their innovative use of effects, demonstrated that less can often be more.

Personal Impressions:

Alien: Romulus stands strong and its practical special effects deserve applause. Although it excelled at practical effects it failed to create believable computer graphics with Rook. Modern viewers seek genuine content more than ever so the film's Oscar nomination doesn't match its performance.

Instead of awarding movies that depend heavily on special effects the Academy should support films that use new technology to make stronger narratives.

Do you believe the Academy should prioritize practical effects over digital ones when considering Oscar nominations?

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TAGGED:Alex GarlandAlien: RomulusDune: Part TwoFede ÁlvarezIan Holm
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