I remember sneaking into a double bill of Conan the Barbarian and the original Deathstalker back in '83—pure escapism, with all the cheese and charm of low-budget fantasy. Fast forward four decades, and here we are with Steven Kostanski's remake, a film that doesn't just nod to that era but dives headfirst into its prosthetic-soaked heart. Kostanski, the Canadian madman behind gems like Psycho Goreman and The Void, knows his way around retro genre fare. He's reimagining Roger Corman's cult series, starting with that 1983 entry, and turning it into something that feels both nostalgic and freshly unhinged.
Let's start with the posters, because they set the tone before a single frame rolls. The first one—it's all about the hero. Daniel Bernhardt grips a gleaming sword, his long hair whipping in some unseen wind, muscles glistening under a fiery orange glow that screams epic showdown at sunset. Smoke curls around him, the title in jagged metallic font below, with “Coming Soon” tucked in like a promise. It's got that classic fantasy vibe, reminiscent of Frank Frazetta's paperback covers—bold, unapologetic, drawing you into a world of barbarians and beasts. But there's a grit here, a scarred intensity on Bernhardt's face that hints at more than just swordplay; this guy's seen some battles.
Then there's the ensemble poster, which cranks up the chaos. A tagline floats at the top: “Evil has many names. Adventure has only one…”—clever, if a bit on the nose. Bernhardt centers it again, sword aloft, but now he's surrounded by a motley crew: a fierce warrior woman (that'd be Nina Bergman, looking regal in braids and fur), a hooded sorcerer hurling fireballs, monstrous orcs baring fangs, and even a bald villain with a sinister glare. The background erupts in volcanic reds and purples, mountains looming like they're about to crumble. Composition-wise, it's crowded in the best way, layering characters to build a sense of grand quest. The color palette shifts from warm golds to darker shadows, teasing light-hearted adventure clashing with undead horror. And down at the bottom, the release tease: October 10 in theaters. These posters aren't subtle—they're marketing a pizza-and-beer night, riffing on 80s classics like Army of Darkness, but with Kostanski's signature gore-humor blend.
Now, the trailer itself. It opens with that line—”My old friend… Come and get it!”—delivered with gravelly menace, pulling you right into the Kingdom of Abraxeon under siege by Dreadites, those harbingers of the undead sorcerer Nekromemnon. Bernhardt's Deathstalker stumbles upon a cursed amulet on a battlefield littered with corpses, marking him for assassination by all manner of monsters. What follows is a barrage of practical effects: creature suits that look ripped from Jim Henson's darker dreams, prosthetic makeup oozing with detail, and stop-motion animation courtesy of Kostanski's own Action Pants FX shop. There's sword fights with clanging steel, magical blasts, and a voiceover from Patton Oswalt as the wizard Doodad—benevolent, quirky, adding that comic relief without tipping into parody. Visually, it's a feast of warm ambers and shadowy blues, framing wide shots of epic landscapes against tight, frantic battles. The tone? Playful yet brutal, like if Excalibur met Evil Dead. It clocks in under two minutes but packs enough hooks to make you crave the full feature.
Kostanski wrote and directed this one, building on his track record of fan-favorite indies—Manborg's lo-fi sci-fi, Leprechaun Returns' bloody laughs, even episodes of the Day of the Dead reboot. Produced by Avi Federgreen, Michael Paszt, and Pasha Patriki, it's a lean operation, focusing on practical FX over CGI bloat. Shout Studios, those champions of genre reissues and cult revivals, is handling distribution alongside Radical Entertainment. The film just premiered at the 2025 Locarno Film Festival earlier this month, where it likely turned heads among the arthouse crowd craving something pulpy. And mark your calendars: it hits select US theaters on October 10th, 2025. In a landscape dominated by superhero fatigue and streaming dumps, this feels like a breath of fresh—or should I say, musty—air, betting on niche appeal rather than blockbuster bucks.
I've covered enough remakes to know when one's phoning it in. This doesn't. It's got heart, or at least a bloody, beating one. Bernhardt, with his action chops from films like Atomic Blonde, brings a grounded physicality that elevates the cheese. Oswalt's voicing adds wit without overwhelming. Yeah, it's niche, but in a good way—like finding an old VHS tape that still plays crisp.
Deathstalker 2025: Trailer and Posters Distilled
Hero-Centric Design: The solo poster spotlights Bernhardt's intense stare and dynamic pose, using fiery tones to evoke classic fantasy art and promise high-stakes action.
Ensemble Energy: The group poster layers monsters and allies in volcanic chaos, hinting at a crowded adventure with visual cues that blend horror and humor seamlessly.
Practical FX Focus: Trailer showcases creature suits and stop-motion, embracing 80s techniques for authentic gore over modern polish, setting it apart from CGI-heavy reboots.
Narrative Hooks: Plot centers on a cursed amulet and undead siege, delivered with quick cuts that mix epic scope with witty voiceovers for a balanced tone.
Director's Signature: Kostanski's retro style shines through, drawing from his past works like Psycho Goreman to revive sword & sorcery without irony overload.
What say you—ready to stalk some death this October? Drop your thoughts in the comments, share if it stirs your inner barbarian, and stick around Filmofilia for more trailer breakdowns.
Links:
- Official Trailer: https://www.youtube.com/watch?v=fAdo8drjc_M
- Locarno Film Festival Coverage: https://www.locarnofestival.ch/home.html



