Capelight Films just dropped the U.S. trailer for Holy Night: Demon Hunters, a supernatural action thriller set to blast into theaters May 2. The setup? Seoul is spiraling into chaos (again), the police are desperate (again), and a covert trio of demon hunters (new branding!) is humanity's last hope. Bau (Ma Dong-seok, aka Korea's Dwayne Johnson), Sharon (Seo-hyun), and Kim Gun (Lee David) take on the forces of darkness, fists blazing and holy spells flying.
Sounds awesome on paper. Except — it isn't.
The trailer—despite the thunderous punches and priestly power-ups—feels eerily recycled. Like a Netflix algorithm clumsily remixing The Divine Fury (2019) with The Priests (2015), sprinkled with Midnight (2021)'s frantic energy. Fast cuts, ominous choirs, sad little CG demons. We've seen this fight before.
Here's the uncomfortable truth:
South Korea's supernatural action boom, once electric with originality, is showing real signs of fatigue.
Same Fight, Different Day
“Holy Night” promises big names and bigger punches — Don Lee could sell a root canal as a summer blockbuster — but star power isn't enough. When the film's biggest flex is its concept (“secret team of demon hunters!”), you know we're in reheated leftovers territory.
Just last year, Exhuma clawed through the genre with a fresh twist: ancient burial rituals and a layered social critique. Holy Night? It's giving action figures fighting in a church basement.
No shock then that online buzz is…polite. Outlets like FilmBook praised the trailer's “high-energy,” but noted it felt “formulaic.” Meanwhile, ScreenAnarchy pointed out the “already-crowded” supernatural space that might drown the film's splash.
Data check:
According to a 2024 survey by the Korean Film Council (KOFIC), supernatural thrillers have jumped 27% in production since 2019 — but audience interest plateaued by mid-2023. People crave originality. Instead, Holy Night feels like a genre going through the motions.
Déjà Vu Demon
If you squint, Holy Night mirrors a pattern that wrecked Hollywood's zombie boom.
Remember how zombies were everywhere in the early 2010s? (World War Z, The Walking Dead, Warm Bodies, Train to Busan.) Then — crash. Fatigue set in. Audiences got bored of slightly-different-apocalypse setups. Studios squeezed the genre dry until even Brad Pitt couldn't save it.
Korea's supernatural action phase is teetering on that same edge.
What made early entries like The Wailing (2016) and The Divine Fury resonate wasn't just demons — it was stakes. Emotional depth. Cultural specificity. Holy Night‘s trailer looks slick, sure, but it smells like stale incense.
Unless the full movie pulls a miracle, it risks becoming just another loud prayer in an already crowded temple.
Would you still risk a theater ticket on it?
Maybe. Don Lee punching a demon into a wall will never not be fun. But if Holy Night: Demon Hunters doesn't bring more than muscle and melodrama, it might be the moment Korea's supernatural boom officially flatlines.
Your move, Holy Night. Prove me wrong.
👇 Think I'm being too harsh—or not harsh enough? Light up the comments.
