For a moment, it seemed like legendary director Brian De Palma, now 84, might have quietly stepped away from the world of filmmaking. His last film, Domino (2019), wasn't exactly a high point — a critical and commercial misfire — and health issues linked to aging have made things harder. But in a new interview with Vulture, De Palma confirmed he's got one last movie in him.
“I have one other film I'm planning to make,” De Palma said. “And we're in the process of trying to cast it. I can't tell you what it is, until it happens. Then I'll be very happy to announce it.”
While the film remains shrouded in secrecy, fans are buzzing with speculation. Will this be a return to the kind of psychological suspense that made De Palma the “heir to Hitchcock”? Or something bolder, like the crime-drama Sweet Vengeance or his never-made Predator, a horror film inspired by Harvey Weinstein?
De Palma's career is filled with undeniable classics — Scarface, Carrie, The Untouchables, Mission: Impossible — all defined by his signature visual flair. Known for his striking use of split-screen, tracking shots, and 360-degree camera pans, De Palma's directorial style remains instantly recognizable. Even Quentin Tarantino has gone on record calling De Palma more important than Martin Scorsese and Steven Spielberg, a bold claim that emphasizes his cult-like following among cinephiles.
Though his 21st-century output has faltered, this final project could cement De Palma's legacy. Whether it reignites his career or simply adds a final touch to a decades-spanning filmography, it's certain to generate excitement. One thing is clear: in the world of filmmaking, there will never be another Brian De Palma.
Brian De Palma’s cinematic legacy is a fascinating tapestry of suspense and style, and the anticipation surrounding his final film raises questions about how he will reconcile his past with contemporary storytelling. Will he lean into the stylistic flourishes that defined his earlier works, or will he embrace a more subdued narrative approach?
The article hints at De Palma’s return to themes of obsession and voyeurism, which have been hallmarks of his career. It will be intriguing to see if he can still capture the same intensity and psychological complexity that made films like Carrie and Blow Out resonate so deeply with audiences.
Brian De Palma’s final film promises to be a compelling exploration of his signature themes of obsession and voyeurism. It will be fascinating to see if he revisits the stylistic bravado of his earlier works or offers a more introspective farewell that reflects on his enduring legacy in cinema.